| A New Chapter in Acting | Chalachitra, Autumn issue, Page 93–101 | 1950 |
| A Draft on Cultural Line | Indian People's Theatre Association | 1 June 1951 |
| A Film Festival in Calcutta" Soviet Film Grand Concert: Bicycle Thief | Parichay, March, Year 21, Vol–2, No–3 Page 70–79 | 1952 |
| Soviet Film In Bengali | Parichay November, Year 24, No–5, Page 517–526 | 1954 |
| About Oraons (Chotonagpur) | Ritwik, October 1977, Page 189–201 | 1954–1955 |
| Some Thoughts on Ajantrik | Indian Film Reviews, Page 22–23 | December, 1958 |
| One Long Boundary Wall | Chalachitra, Annual number, Page 117–119 | 1959 |
| Various Weapon: Editing | Ritwik Page 183–187 | Unknown |
| Speech About Cinema; Artists of Bengal | Chitrabikshan Jan–Apr, 1976 | 1958–60 |
| A Book review: Theory of Film | Indian Film Culture, Vol–1, No–1, Page 47–50 | April–June, 1962 |
| Music in Indian Cinema And The Epic Approach | Artist, January–March, Vol–1, No–1, Page 37–38 | 1963 |
| An Interview On Film Script | Chalachitra Autumn issue, Vol III, Page 47–50 | 1963 |
| Human Society, Our Tradition, Film Making and my Efforts | Chalachitra Autumn issue | 1963 |
| Art and Integrity | Dainik Basumati Autumn issue | 1963 |
| Editorial | Artist July–September, Vol–1 No–3 | 1963 |
| Nazarin and Louis Buñuel | Chalachitra Winter Page 41–44 | 1963 |
| The Film and I | Montage Vol–II No–3 | 1963 |
| Nazarin– a review | Kino Vol–I No–1, Page 23–26 | January, 1964 |
| Experimental Cinema | Amrita, Autumn issue | 1964 |
| The Mother Land and Artist's Duty | Parichay Autumn issue | 1964 |
| Assessing a Film | Chalachitra Autumn issue, page 18–20 | 1964 |
| Experimental Cinema | Lecture, Film and Training Institute | 16 September 1964 |
| On Komal Gandhar | Chitrapat, Vol–I, No–I, Page 23–24 | 1965 |
| The Director's Message in Bengali Cinema | Chirakalpa Summer issue, Vol–I, No–I | 1965 |
| Understanding Cinema | Angik, Summer issue | 1965 |
| A Book review: Theory of Film– An Attitude to Life and an Attitude to Art | | 1965 |
| It is not possible to accept what Box Office demands | Statement column, Jugantar | 13 August 1965 |
| The Past and Present of Bengali Films, Interview | Chalachitra Page 24–25 | October 1965 |
| A Book Review: Theory of Film; Nature of Film | Lecture F.T.I.I of Pune | 30 September 1965 |
| Bengali Cinema, Literary Influence | Film Fare | 1965 |
| Sound in Film | Parichay, Chatushkala issue, Year 35 | 1965 |
| Plays and the Present Age | Jatiya Sahitya Parishad, Page 9–12 | 12 April 1966 |
| On Subarna Rekha | Chitrapat Vol–2 No–2, Page 26–27 | August 1966 |
| My Film | Film, Autumn issue | 1966 |
| Art, Cinema and the Future | Ananda Bazar Patrika | 1966 |
| The Third International Film Festival in India | Chitralekha Vol– I, No– 4, Page– 13–16 | Winter 1966 |
| Experiment in Cinema and I | Unpublished | Unknown |
| The Future of Film | Movie Montage Vol–1 No–1 Page–1 | 1967 |
| My Coming into Films | Film Forum Festival, Souvenir, 17–20 July | 1967 |
| Sound in Film | Film Forum Festival, Souvenir, 17–20 July | 1967 |
| From a Statement | Chitrayan Page–34
(August, 1977) | 1967 |
| What is the True Form of Cinema | Lecture | 29 September 1967 |
| Experimental Film and I | Chitrabikshan | October, 1967 |
| Cinema and the Subjective Factor | Chitrakalpa Vol–2 No–1, Page 5–7 | October, 1967 |
| Thinking about Cinema | Movie Montage Special issue, Vol–I, No–2, Page 49–53 | 1967 |
| Interview | Movie Montage Vol–I, No–2, Page 54–58 | 1967 |
| Documentary Film | Sahitya–Patra Sept–Nov issue, Page 117–121 | 1967 |
| The Position of Cinema in the Society | Movie Montage Vol–I, No–3, Page 3–4 | 1967 |
| Bengali Society and Bengali Cinema | Madhyanya Oct–Dec issue, Vol–II, No–3, Page 147–150 | 1967 |
| Filmic Rhythm and Structure | Chalachitra Sept–Dec issue, Page 9–10 | 1967 |
| Prognosis for Today's Cinema | Desh December issue, Vol– 35, No–9, Page 885–886 | 1967 |
| The So-called Crisis in Bengali Cinema | Abhinay-Darpan May–June issue, Page 32–34 | 1968 |
| Some Stray Thought Some Perceptions | Ritwik October 1977, Page 5–10 | 1968 |
| The Film I Want to Make About Vietnam | West Bengal Youth Festival, Commemorative Volume | 1968 |
| Dance in Cinema | Nupur Dance Academy, Souvenir | 1968 |
| On The People's Theatre Movement | Abhinay Darpan, May–June issue, Page 2, 7–8 | 1969 |
| If I Could Make Films Again | Antarjatik Angik | 1969 |
| Obscenity and Films | Assam Bani Patrika | 12 December 1969 |
| The Present and Future of Indian Film Making | Abhinay March–April issue, Vol–I No–2 & 3, Page 138–148, 201–204 | 1970 |
| Interview by Ajay Basu | Abhinay May issue, Vol–I, No–4 | 1970 |
| What Ails Indian Film Making | Amrita Bazar Patrika, Sunday issue | 10 May 1970 |
| Interview | Chitrabhash | July 1970 |
| Our beloved Ganga–da, The Quite Man | Gangapada Basu Commemorative volume, page 44–38 | 3 Jan 1972 |
| If There Be Any One Person In India Who Comprehends The Film Medium, Then He is Satyajit Ray | Cine Technique | March, 1972 |
| Interview | Chatrapat No–9, Page 37–38 | 1972 |
| Thoughts about Ajantrik | Ajantrik Angik Winter–spring issue, Page 55–60 | Unknown |
| Interview– Titash and others by Tulu Das | Unknown | 1973 |
| Ritwik Ghatak, an interview | Chitrabikshan August–September, 6th year, No 11–12 | 1973 |
| Brecht and Ourselves | Natyachinta Volume–2, Page 9 | 1973 |
| An Interview by Muhammed Khashru | Dhrupadi Vol–IV, Page 148–169 | 13 May 1974 |
| People I Have Seen Both The Bengal | Unknown | September, 1974 |
| Dialectics in Films | Amrita | 1974 |
| My Views | Amrita | 1974 |
| Two Aspects, The Mind, Day Dreams, The Eye, Movement In Film | Chalachitra Autumn issue, Page 14–23 | 1974 |
| Face to Face with Ritwik Ghatak | Chitrabikshan | September, 1974 |
| Bijon Bhattacharya– Giver of New Life | Natyadarpan Vol–1, No–1, Page 13–15 | May 1975 |
| An Interview by Prabir Sen | Jalim Singh's Journal | 1975 |
| Recent plays | Moumachi | 1975 |
| The Emergency– Ritwik Ghatak's Works at the Censor's Mercy | Chitrabikshan July–Sept, 10th Year, No. 10–12, Page 9–10 | 1975 |
| Let There Be Sound | Chitrabikshan Jan–Apr issue, Page 216 | 1976 |
| Film Making | Chitrabikshan Jan–Apr issue, Page 225–226 | 1976 |
| Symbol | Shabda | Unknown |
| On Drama | Agyatabas No–17, Page 49–50 | 1976 |
| Cinema, Literature and My Films | Chitrabikshan | November, 1976 |
| La Dolce Vita and Felini | Chitrapat, Special issue | 1976 |
| On Bergman | Chitrapat, Special issue | 1976 |
| My Thoughts on Cinema | F.F.S.I Ritwik Retrospective Souvenir | 1976 |
| What It Means To Make Films In India | Unknown | Unknown |
| An Interview | by Kalpana Biswas | 1976 |
| An Interview | Film Miscellany | 1976 |
| An Interview | Swarabarna | 1976 |
| Excerpt of an Article | Movie Montage No–18 Page– 57 | November 1976 |
| On Memory of Pramathesh Barua | Unknown | Unknown |
